Steve Spon Solo projects

Spon’s input on the Diamond Seeds Label

DOOMSDAY DOT COM....NEW ALBUM BY NOSTRAMUS, coming to a planet near you soon!DOOMSDAY DOT COM….NOSTRAMUS
Is this the end of drum and bass as we know it?

A sound concept tapestry with a strong musical current, including samples which expose media hysteria amongst both dark and light themes. Nostramus comments on the phenomena that shape our early 21st century; times where fear is founded for some, and a plaything for others. More info.

Tracks – 12
Label – Diamond Seed Productions
Year – 2011
CD Album Price – £9.99 inc shipping* BUY NOW
Digital Download – I Tunes | CD Baby
Sample clips on Soundcloud


Earthlights 2010 Remastered. Click to buy CDEARTHLIGHTS REMASTERED…..NOSTRAMUS

Described as ’21st century pagan drum and bass’, the ‘Earthlights’ album by Spon’s alter ego Nosramus was released in 1997 by Recordings of Substance in the UK and Shadow Records in the US to critical acclaim. Now remastered in 2010. More info.

Tracks – 10
Label – Diamond Seed Productions
Year – 2010
Price – £9.99 inc shipping* Buy CD
Digital Download – I Tunes, E Music, Amazon
Sample sound clips here


DARK AMBIENCE PROJECT…..THE HIDDEN CORE

A feast of sound-scarped nightmare visions and eclectic journeys. Culled from the darker psychotropic-fueled imagination of The Big Eye, Bud Brothers and Nostramus’s  Steve Spon. More info..

Tracks – 13
Label – Diamond Seed Productions
Year – 2011
Price – £10.00 inc shipping* Buy CD
Digital Download – Available soon
Sample sound clips – Available soon


STEVE SPON PRODUCTIONS : ELLA JO’S ALBUMS


LIMITS OF MILKWEED…..ELLA JO

Ella Jo provides melodic nutrition for a runway to the stars.
This album’s sound-scape provides a rich feast good enough for a Space Shuttle journey. In the Universal Soup of Life, it makes a seriously good sound track. More info..

Tracks – 10
Label – Diamond Seed Productions
Year – 2008
Price – £9.99 inc shipping* Buy CD
Digital Download – I Tunes, Amazon, CD Baby
Sample sound clips here


ALTER EGO…..ELLA JO

Following the Soul’s whisper, Ella Jo gives clues in this album as she reflects on a hard world, but refuses to be beaten. Here there are tuneful explorations of serious issues, interwoven with the joyous stuff of dreams. More info..

Tracks – 10
Label – Diamond Seed Productions
Year – 2008
Price – £9.99 inc shipping* >Buy CD
Digital Download – I Tunes, Amazon, CD Baby,
Sample sound clips here


ATTITUDE IS EVERYTHING…..ELLA JO

This album is like a porthole where beauty is borne of trouble, and passing through it is a cleansing, uplifting experience. Work well crafted will always channel human experience into sweet depths, for those brave enough to share it. More info..

Tracks – 10
Label – Diamond Seed Productions
Year – 2010
Price – £9.99 inc shipping* Buy CD
Digital Download – Available soon
Sample sound clips – Available soon


* January 2011, Subject to slight fluctuations owing to currency conversion rates. CD’s available from Kunaki USA priced at $9.80 plus $4.20 shipping, total price $14.00 (UK = £10.00, Euro 10.80) Delivery to UK and Europe around 8 to 14 days. Payment via PayPal and most major cards.


Steve Spon’s solo projects…a brief biog

Since the demise of UK Decay and then IN Excelsis back in 1985,  Spon has continued producing music for himself and others.

As the resident engineer/producer at ’33’ Recording Studios he worked for a decade on a wide variety of different genre’s. He helped produce many post-punk bands in the eighties and nineties, including Click Click, Karma Sutra, Passchendale, Party Girls, IrritantCrowe Jayne amongst others. He also produced numerous commercial recordings for the ’33 Jazz’ label, as well as co-producing many underground dance tracks for the emerging DJ culture.

Bass lines and drops that Spon helped produce rocked many a dance-floor at that time.The surge in technology in the art of music production during the late eighties saw Spon honing his music production skills. In 1990 he teamed up with ex Click Clicker’s Derek ‘E’ Smith and Graham Stronach to form a new band called ‘The Big Eye”. Described by the band at the time as “Techno–with-guitars”, TBE played a handful of live shows, produced a couple of EP’s and an Album, (both on vinyl and CD) over three years for the London based Hydrogen Dukebox label. Most of these are now out of print, and like a lot of Spon’s past material, are very rare to track down.

Spon latched early onto Jungle – the emerging Drum and Bass genre of music. During the early nineties he crafted a collection of tracks of his own. His material aimed to create a more thoughtful and ‘intelligent’ spin to counter the frantic naivety of the early hardcore rave sound. During this period the classic ‘vocal-lyrical’ approach had taken a back-seat to the repetitive and minimalist sound scape. This suited Spon’s eclectic and original use of samples to create mood shifts that mold deep, optimistic and relaxing sonic journeys. This was Spon’s first major ‘solo’ project with guest vocalist Prince Malachi, MC13, Caroline Nische and Natasha D, the proposed album was to be called ‘Earthlights’ under Spon’s new artist name; ‘Nostramus’.

This was released in July 1997 by London label, ‘Recordings of Substance’ and licensed to the US ‘Shadow Records’ label. ‘Earthlights’ went onto sell a respectable 6000 copies world-wide and tracks from the album were seen on many a ‘chilled–d & b/electronica’ type compilation album. In 2010 Spon re-engineered and re-mastered ‘Earthlights’ for the Diamond Seeds label (there is a link to further information and sound clips of the album above)

Spon continued producing and re-mixing for others up to the end of the nineties but aside from a limited edition Exodus Festival album, ‘Bomb Babylon‘ (a DIY darker, pertinent and bombastic affair – that, in Spon’s own words was, “unfinished”), there was no further Nostramus release until the 2003 ‘Hero of Bamboostick’ EP on Jolt Records.

In September 2011, Nostramus released  ‘Doomsday Dot Com’ and unlike in the case of the the ‘Earthights’ album, Spon has introduced his guitar sound on some of the tracks. Another project has involved re-mastering some of Spon’s more esoteric and subliminal work from the nineties. He has produced an album called ‘Dark Ambience’ by ‘The Hidden Core’ (or THC for short!), containing largely ambient and beat-less material, but with brooding, sometimes menacing sound collages. You wont find much guitar in this mix, but UK Decay and IN Excelsis listeners may be familiar with some of the darker sonic dream sequences, a style used in the UK Decay’s ‘Werewolf‘ and ‘Unexpected Guest’ introductions for example. This is all available on the Diamond Seeds Label.

Spon’s production work with Ella Jo

Early in 2004, a singer songwriter Ella Jo knocked on Spon’s door. She had been looking for him since the ’33’ studio shut down in 1998. EJ promptly readied her old battered guitar and promptly sang him a handful of songs that she had wanted to record for a good number of years. She also explained that she had spent several years backpacking to far slung places across the world on her own.

This obviously impressed Spon enough embark on a musical relationship that would last until the present day. The end result was a collection of three classic albums incorporating many differing styles ranging from Pop, Neo Folk, Acupela, Avant Garde, Gothic, Drum and Bass and Electronica. Arguably the Ella Jo sound is perhaps not what one would expect from the guitarist of UK Decay at first listen but it shows off Spon’s deftly touch on music production.

Ella Jo’s music is eclectic and shows an inner wisdom that only someone with her wide travelling and life experience can reflect. It journeys through genre’s and styles with utter contempt for the narrow marketing niche, instead celebrating the oratorical rhythms and cadences of modern everyday life from a female perspective.

Although largely musically driven by Ella Jo, Spon has contributed to all three of Ella Jo’s albums with keyboards, bass, drums and other orchestrations as well as producing the overall sound. On the third album ‘Attitude is Everything’ he plays guitar on a couple of tracks with UK Decay bass-man Ed Branch also contributing.

We could sum up Ella Jo’s music as pure, captivating, elevating and an enigma to the preconception and cliché’s of a male dominated business and listener ship. She avoids overplaying that card here, transcending the open minded listener, male or female, to a greater purpose; a true artist.

More details on Ella Jo’s three albums here.

LINKS

Discog: | Steve Spon at discog | The Big Eye at discog | Nostramus at discog |
Steve Spon – Nostramus Interview: | “Where the worlds of drum ‘n’ bass and post-punk and goth collide, stands a man like Spon” |
Nostramus at WordPress: | Nostramus World |
Nostramus at Myspace: | Nostramus at Myspace |
Nostramus at Diamond Seeds: | Nostramus at Diamond Seeds |
Nostramus old site: | Nostramus old site |
Nostramus at Facebook: | Nostramus Facebook page |
Ella Jo Interview: | Diamond Seeds talks with Ella Jo about her groundbreaking trilogy of Album’s |
Ella Jo at Diamond Seeds: | Ella Jo’s home page at DS |
Diamond Seeds Productions: | Diamond Seeds home |

News update for Diamond Seeds

English Winter Weather Dec 2011

English Winter Weather Dec 2011

What a winter!

After re-locating to the English countryside, it became painfully clear that we had one wood burner to warm the whole house through the most severe winter since 1963! The burner, like a hungry dragon, needed nourishment day and night; so valuable time was spent, seeking, gathering, and sawing wood. Not only did the fire need to be fed regularly, but with sensitivity (damp wood did not catch alight and dry wood burned too fast) – it was quite a responsibility, which could not be neglected and took a lot of coaxing. Although our fire strategies worked, there was little time for much else, so Diamond Seeds was put on the back burner while we sustained life through the cold.

Ella Jo’s winter gigs

Having missed a gig at Bedford Esquires with the Nimblewits, and another at the Hat Factory in Luton, Ella Jo hauled herself to Luton’s Castle Tavern on December 11th. Relieved to see some friendly faces, her gig was like a coming home party! Familiar with the Lutonian banter, Ella Jo hailed the spirit of the crowd and banged her way through some songs without a set list. The anarchic atmosphere in the pub brought out her busking character – the crowd picked up on her cheerfulness and agreed that it had been worth getting out of bed for!

EJ Castle Tavern Dec 2010

EJ Castle Tavern Dec 2010

The Castle Tavern gig was arranged by Marianna – the promoter and arranger of Luton Aid, a day of live music held to raise money for charity. Back in the summer of 2010, Ella Jo had played for this event at Luton’s Hat Factory to a very attentive crowd – the character of the audience made her feel as if she was performing in an auditorium! This was a high point in the summer, as Ella Jo felt that audiences were beginning to connect to her performances and enjoy her material as a folk artist….

The ghoul of winter flu and colds hacked our lungs as we spluttered our way through Christmas, and a couple of Ella Jo’s gigs got cancelled…..only a back log of the Peep Show series could cheer her up and things looked better as the New Year rolled in…..Although the winter season isolated us and tested our strength, we were still able to appreciate it’s beauty, and fiddled with our projects whenever our frost bitten fingers thawed a little….

Winter Haw Frost in December 2010

Winter Haw Frost in December 2010

In February Ella Jo met up with the Nimblewits again as she supported them at the Foresters Pub in Bedford. Her gig did not go as she expected….The Nimblewits were using disco lights and the box was placed on the floor to the side of EJ’s performing space. The main lights went out and the disco lights jumped into life. Ella Jo proceeded into her set blinded and distracted, finding it hard to see her set list! In a noisy pub atmosphere this gig was a bit of a challenge – but then, that’s what playing live is all about….

Richard, the drummer of the Nimblewits remembered a song from years ago and requested ‘God Made Television’ – Ella Jo performed these two verses acappella, the first time to an audience for over 20 years – it can be found on her album, ‘Attitude is Everything’

Ella Jo supported Seth Lakeman at his gig at the Hat Factory Arts Centre in Luton in March 2011

Ella Jo supported Seth Lakeman at his gig at the Hat Factory Arts Centre in Luton in March 2011

Her latest gig to date, (March 11th 2011) has been to support Seth Lakeman, when he played at Luton Hat Factory whilst on tour of the UK. Seth Lakeman, from Devon, is an English folk singer, songwriter and multi-instrumentalist – playing the violin and guitar amongst other instruments. Being nominated for the prestigious Mercury Music Prize it was no surprise that the gig sold out – and Ella Jo played to her largest audience yet….. It was an invigorating experience, with a welcoming audience and good technical support….

Having damaged her thumb five weeks before, and being unable to practice for the gig, she bit the bullet for this one – but she found herself at home with the audience, feeling a connection and getting comfortable to play for forty minutes. Reflecting on those precious moments on stage, she is philosophical :

‘Although the audience want to know the artist, the ultimate relationship lies between the listener and the song’s performance. In that forty minutes the songs were all that mattered. I put my heart into manufacturing these entities of expression, in the moment, to connect to those who were ready to listen. Nothing else mattered as we shared in the music – it seemed that many in the crowd felt my passion and understood. – it was a very special time….Seth Lakeman and his band played a fantastic gig that night and it was a real pleasure to support him, I recommend his music to all those who love feisty folk music!’

Nostramus Spin off project - Dark Ambience - The Hidden Core THC Album

Nostramus Spin off project – Dark Ambience – The Hidden Core THC Album

Recently released – THC (The Hidden Core) Dark Ambient album is a spin off project by Nostramus. ‘A feast of soundscaped nightmare visions and eclectic journeys. Culled from the darker psychotropic-fuelled imagination of the Big Eye, Bud Brothers and Nostramus’s Steve Spon – edited and re-mastered in 2010 from tracks originally recorded from 1990 – 1996.’

Nostramus Drum and Bass

Nostramus Drum and Bass

The fantastic ‘Doomsday Dot Com‘ by Nostramus will be the next release on Diamond Seeds – a prophetic gathering of Drum and Bass tunes and samples. After the Japanese earthquake it seems that time has overtaken some of the themes and has left Spon from Nostramus wondering what the reaction will be to his material. He says that all the material on the album pre-dates the horrific events that have burdened Japan. The album is a tapestry with a strong musical current, including samples which expose media hysteria amongst other, lighter themes. The album itself is a comment on the phenomena that shape our early 21st century; times where fear is founded for some, and a plaything for others. He exposes the human responses to dealing with a world that we cannot control including elements of superstition, anger and the need to release stress in a musical whirlwind of joy. Nostramus encompasses all these emotions, waltzing the listener through a reality check – reminding us to question our distorted world, keep our feet on the ground and trust our senses. The delight in this work is the unceasing movement between light and shade, the highs and lows, the scowls and the smiles…..Was Drum and Bass ever supposed to go this deep?

As for Ella Jo, history has inspired her to write an album about the Anglo Saxon era. As no music survives from this time, there is much room to be imaginative and she has invented songs about Anglo Saxon events. This folk album will be named ‘Almost Anglo Saxon’ so that purists will not be offended, and she has already had a lot of fun composing songs for this project…With a handful of songs left to write, recording should begin in late 2011.

Matthew Adams Folk Artist from Devon

Matthew Adams Folk Artist from Devon

Exposure for new musicians

People may be aware that we want to support up and coming musicians especially in this time when the industry is so difficult to break into. We are pleased that Matthew Adams has been in touch with us, and coming soon is a review of this up and coming folk artist….

Good News about our album prices

Last but not least, we have recently revised the prices of our albums when purchasing physical CDs from the supplier, www.kunaki.com

You can now obtain each album for approx £10 – inclusive of shipping – making them a great bargain for music lovers!

www.diamondseeds.co.uk

Nostramus Earthlights 2010 Re-mastered.

Nostramus Earthlights 2010 Re-mastered.

“Probably the best Drum and Bass album youve never heard!”

Earthlights Re-Mastered 2010 CD Front

"Earthlights Re-Mastered 2010" Available by mail order here..£10.00 by Paypal

Cat. No. DS-NS-001

January 3rd 2010

Nostramus announce the release of a re-tweaked and re-mastered version of the 1997 album ‘Earthlights’.

The original ‘Earthlights’ was first released in the UK in 1997 by ‘Recordings of Substance’ followed by ‘Shadow Records’ who licensed it for the US market in 1998.

The brand new ‘Earthlights Re-mastered’, will be available from the online label, ‘Diamond Seeds Productions’ in early 2010. Nostramus will be joining other artists including Ella Jo on the new label, which will be making full use of new web fulfilment strategies for online mail order and downloading facilities.

Nostramus founding member Steve Spon has returned to the original source master tapes in order to complete this work.

“Although I was reasonably happy with the original mastering of Earthlights, I have since become a lot more fluent with audio mastering techniques. In this edition, I have returned to the source master tapes, taking care with every step of the process in order to retain the original concept and flow. I feel I have now created a much more considered dynamic to the sound-scape, hopefully bringing the whole thing up to today’s audio standards and listen ability.

Aside from the re-mastering, I have re-edited and re-mixed ‘Babel’ the opening track to the album, mixing in some new warped-up Amen from the un-released Jungle version of Babel. There are also one or two other new samples, subtly crafted into some of the other pieces to spice up the mix. Overall, I am much happier now with the sound and flow of the re-mastered album and I hope the listener will enjoy it even more”

Steve Spon January 2010-01-02

Earthlights Re-Mastered 2010 CD Inside..click here to purchase via mail order

"Earthlights Re-Mastered 2010" Available here for £10.00 (inc shipping)...click here

‘Earthlights Re-mastered 2010’ comes repackaged in a standard jewel case with new artwork to boot. Retailing at £10.00 including shipping, the album will be available from www.diamondseeds.co.uk from early January 2010 on mail order and on download, a little later.

Nostramus’s Steve Spon, is now working on the long awaited follow-up to the first album, which has the working title of ‘Earthlights II’. It is hoped that this will see the light of day in the spring of 2010.

Nostramus can be contacted at.. Nostramus at gmail.com

Webs.

http://nostramus.wordpress.com/

www.myspace.com/nostramus

www.diamondseeds.co.uk/nostramus

Steve Spon talks about the re-mastered Earthlights album and about his work with Nostramus and UK Decay

Where the worlds of drum ‘n’ bass and post-punk and goth collide, stands a man like Spon

Diamond Seeds talks to Steve Spon on matters Nostramus and UK Decay.

We recently caught up with Steve Spon to ask him about his re mastering of ‘Earthlights’ an album that he wrote and produced in 1997 for Nostramus. Steve Spon (aka ‘Spon’) has recently re-joined the re-formed legendary eighties post-punk-goth pioneers, UK Decay.
We were fascinated to gain a glimpse into the thinking behind the re mastering of the classic nineties ‘D ‘n’ B noir’ album.
Which, according to one reviewer is  “probably the best Drum and Bass album you have never heard

Where the worlds of drum ‘n’ bass and post-punk and goth collide, stands a man like Spon

Diamond Seeds interviews Spon

Where the worlds of drum ‘n’ bass and post-punk and goth collide, stands a man like Spon
We were intrigued…….

D.S.# You have returned to your punk roots playing guitar again with UK Decay, in your musical evolution how does that relate to your D ‘n’ B oriented Nostramus?

“Although it can be argued that the music of Nostramus is completely different from the music of UK Decay, I feel there are threads of similarities between the two. Born out of the alternative punk-post-punk-early goth mela of the early eighties and like many ex punk types, I moved with the musical underground into the heady nineties rave scene. I sacrificed my guitar and took the technological path. It was important for me to continue to create music with an alternative message to counter the commerciality of popular music.”

D.S.# Would Nostramus appeal to the average UK Decay fan given ‘drum and bass’ surely had so much bad press?

“I know Nostramus’s mix of Drum ‘n’ Bass, Dub and Electronica may not appeal to every UK Decay listener but I know it will to some. Most of the guys in UK Decay, actually love Dub and Reggae music and have done so since the 70’s so there is nothing new there. The D ‘n’ B scene has received a lot of bad press in the past. Understandably, for many, the tragic murder of Sophie Lancaster by ‘hoodie’ thugs has put some people off the musical tastes of these low-life monsters. But I believe that mutated minorities in any genre, should not be allowed to hold good music to ransom.”

D.S.# Drum and bass was cool back then?

“From my point of view, the early hedonistic nineties D ‘n’ B scene was an invigorating and exciting proposition for many who wished to carry alternative music forward. The development in recording and playback technologies opened up a new universe of musical exploration and possibilities. Earth shaking bass lines, impossibly tight drum structures, emotive complexity in keyboard sound-scapes and sampling, all led to a new excitement in the then stale music scene. I took the plunge into this maelstrom, as it’s part of my make-up to explore new musical adventures.”

D.S.# Surely being an ex-punk had drawbacks on the emerging drum and bass scene

Spon comming at ya!

Spon on the run

“The movers and shakers of this emerging British scene were young DJ’s who had no hack with the old ‘rules’ of creating music. Like many others, evolving from the former 80’s punk scene I moved into the D ‘n’ B at a early stage in its development.

I liked the anarchic approach to creating the music and found for a time comradeship and a sense of purpose and enjoyment in the underground party scene. Back then I found a refreshing openness and tolerance to the music and the people generally in the scene…anything went!”

D.S.# What gave you the idea, or set you on the journey to creating a drum and bass album?

“Drum and Bass as well as other so-called ‘rave-music’ was developing it’s own set of rules that related to the flux’s and flow of the dance-floor. My tastes were still on the darker, deeper and hopefully more thoughtful side. At that time I was a recording studio engineer/producer and that made me open to a wide input of styles. Steve Harle introduced me to the D ‘n’ B scene back in the very early nineties. He encouraged me to embark on the musical journey that would eventually create my first album under the name Nostramus.

I called the new album ‘Earthlights’ and it summed up four crazy years of my experience of the underground party scene at a time when the music was at its most vibrant, purist form.”

D.S.# What was your aim in creating Earthlights your first album, how did you go about determining what it would be?

“The album was written using Atari computers, but I wanted it to have a live feel. I invited guests to contribute spoken and sung performances. The tunes included obscure iconic samples to create light and dark moods to give a sense of meaning. My aim was to create the most organic quality as possible, to create a journey for the listener. I wanted something that was easy to listen to, yet also had a deeper, substantial level. As a ‘non’ DJ, I even broke the dance mix rules, making it virtually impossible for DJ’s to mix the album with other tracks. I wanted to make ‘Earthlights’ stand out in a crowd.”

D.S.# Sum up Earthlights message?

“‘Earthlights’ takes the listener on a journey through themes, ranging from our pagan past, to future space travel. It questions and studies the doubts and optimisms of the human race.”

D.S.# How many did Earthlights sell back in the nineties, how did it fit in with the drum and bass scene?

Earthlights original 1997 released in the UK by Recordings of Substance

Recordings of Substance version of Earthlights originaly released in 1997

“I released this album first in the UK in 1997, on ‘Recordings of Substance’, and then licensed it to ‘Shadow Records’ for the US market in 1998. In total, there were 6000 sales worldwide. It didn’t make the top ten, but it sold steadily over a period of time and some of the feedback from reviews and emails have been fantastically encouraging. A review a couple of years back summed it up quite nicely “Probably the best Drum and Bass album you have never heard!”

D.S.# What led you to re-mastering Earthlights?

The new Earthlights 2010 re-mastered

Earthlights 2010 re-mastered CD front

“Although I was reasonably happy with the original mastering of Earthlights, I’ve since become more fluent with audio mastering techniques. In the new edition of Earthlights, I reworked the source master tapes, taking care with every step of the process in order to retain the original concept and flow. I feel I’ve now created a much more considered dynamic to the sound-scape, hopefully bringing the whole thing up to today’s audio standards and listen ability.”

D.S.# Did you just re-master or is there anything else added or taken away?

“Aside from the re-mastering, I have re-edited and re-mixed ‘Babel’ the opening track to the album, mixing in some new warped-up a-men from the un-released Jungle version of Babel. There are also one or two other new samples, subtly crafted into some of the other pieces to spice up the mix. Overall, I am much happier now with the sound and flow of the re-mastered album and I hope the listener will enjoy it even more”

D.S.# What about the rumours of Earthlights II any chance soon?

“I have had most of the material for this sitting on my shelves now for a good few years. Now with the help of Diamond Seeds work is in progress to see this project through. I shall be editing and remixing some of the material and with the addition some new performances and samples, I will collate into the final cut. I am hoping for around March April 2010.

D.S.# UK Decay are famous for being one of the first eighties post-punk bands, to make the crossover from ‘punk’ to ‘goth’
What are your future plans with UK Decay, are you enjoying their revival?

UK Decay on their Italian Tour spring 2009, Spon on the left

Spon back with UK Decay in Milan, May 2009

“I am really enjoying playing live with Decay again. It’s a real buzz playing guitar in a live situation, I had forgotten about that.

Because of commitments however, Decay can only play a few times a year, which is fine by me. UK Decay are currently working on a new album, which is an exciting challenge. Getting wild sounds out of my guitar is refreshing to me after so many years of programming songs together. The guys in UK Decay between them have a wealth of new ideas and experience to draw upon. At the end of the day UK Decay were adventuress in seeking out new sounds, we were ‘dark’ back in the day and that’s partly my fault, so they tell me! I look forward to mashing it up with them.”

D.S.# Any future Nostramus beyond Earthlights II?

“We shall have to wait and see!”

Click here for Earthlights Re-mastered 2010 £10.00 inc. shipping

Click here for Earthlights Re-mastered 2010 £10.00 inc. shipping. thru Paypal

Nostramus is now signed to Diamond Seeds Productions.

Review of Earthlights