Well it’s been a few months since we had the chance to update this site – it’s been a busy old time! The summer is nearly over and we are settling down to web stuff yet again.
The hard work has been paying off and there is now another book available on Diamond Seeds Publications, the second issue of Tarot Decoded – for the High Priestess Tarot Card. The research for this book by Ella Jo Street resulted in giving more than a simple explanation for the card; it is probably best described as a pagan source book. Reading back the proof copy has been a pleasure – this book really is indispensable for understanding the meaning behind the card and gives a complete mythology into the background behind magic with a factual look at witchcraft, designed to educate and widen the horizon of those with an interest, and enrich a reading for anyone training in the art of Tarot Reading!
Next up we have not one but two CD albums now available from the genius fingertips of sound-master Steve Spon. He tells me that he will be writing a new album with his band UK Decay this year, so we are lucky he has made time to re-mastered and release two eclectic albums first conceived in the 1990’s. It seemed touch and go to the outsider who may have wondered at leaving one CD in the freezer for a week, but when it was time to dust it down and record it onto modern equipment the icicles dripped dry and the music was re-born!
First album to hit the light of day was the Nostramus Earthlights album. A long process of digging out the masters and re-booting them for today’s technology began in December 2009, but this summer all was completed and the world was blessed with some magnificent intelligent Drum and Bass – reborn. There are classical elements in this album which makes no apology for having a life force all of its own. As with all of Nostramus’ material it enriches the everyday experience of music into a festival of warped realities and harmonic vapour trails. Listening to it I firmly believe that Steve Spon writes sound tracks to sci fi movie’s that haven’t been thought of yet! The tunes and the sound-scapes create inspiration for anyone with a vision for art or film; in short, he is way ahead of his time.
And it’s not like the stuff I’m hearing is complicated. It goes from pretty moments to dark tragic times – all eventualities may be present, yet it is timeless and simple without being repetitive. Spon’s other new album, under the name THC, is called Dark Ambience, and I swear it actually breathes. For my taste, the music really has reached another level with this album – and I think the genius was born of pain and passion which was sieved and refined into the most delicious mix of tunes and rich instrument sounds – as if it were a magic music box found in Merlin’s cave – reflecting the future into the present whilst mixing up sound elements from the past; there’s something reassuringly recognizable – only to disappear into weirdness that is nearly hypnotic. My copy of this CD is already nearly worn out!!!
The summer was topped off by a couple of gigs that went well – UK Decay played again at Blackpool’s Rebellion festival, this time in the picturesque Winter Gardens, and Ella Jo played an enjoyable hour at Luton Fringe Festival giving her songs an acoustic airing to an appreciative crowd. She said, ‘I got to the bottom of what caused my legs to shake on stage – it stopped when I stopped wearing heels, and I do so love my boots, but in the end, wearing sandals cured the problem!’