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Making A Children’s Audio Book #1

Children’s Audio Books #1
Having spent a good deal of my life as a singer songwriter and author, I am about to break into the world of Children’s Audio Books.

The problem with music is getting people to listen to it. The problem with e books is getting people to read them. But Audio Books seem like a totally different animal. The quest to find a safe medium in which to placate and safely entertain your child seems like a major issue for some parents. I don’t know – I am not a parent, but my research shows that parents are concerned about their kids in that they want to entertain them and educate them, and audio books fall into both these categories.

I began to research what I was getting myself into when it became apparent that my audio version of ‘Barney the Musical’ has the potential of becoming a huge hit with kids. With the help from my producer, Spon, we brought the story alive with some very entertaining sound effects.

As I have mentioned before, I write stories that I think I would have enjoyed reading as a child, and as a kid I loved funny noises. I have an enduring memory from childhood, and that is of myself and my sister sticking a finger in one ear and pretending to be folk singers. We were not immune to the comedy of this lark, and others, that involved silly noises.

Research on the net took me to many sites for parenting. Some were better than others. The best site I found in the limited time I gave myself was mumsnet.com – Sensible parents discussing sensible topics.

I was able to compile a list of recommended audio stories from mumsnet and other sites. Best of all I found conversations which showed how important audio books are for children who are reluctant to read. I also identified the environments that kids like to listen to audio books.

Other research showed me how disappointed customers could be when their CD audio books were poor quality or wrongly packed. I read a lot of criticism; from dislike for the accent of the narrator to the irritation of having to change a CD half way through a story. I also noticed that just about every children’s story ever written had at least one criticism. Not everyone is going to like my story, or my accent.

From this research I am able to get a measure of my own caliber. I am able to see where I may fit into the market and how to manage this product. The research has left me feeling quite confident as I believe that the story is good – it is politically correct (!), it is well paced and entertaining. My English accent is obviously not BBC – I think my slight cockney twang may become my trademark. I think I nailed the voices of the characters and the sound effects have animated the story. In short I think Barney The Musical can stand proudly with other children’s audio book products!

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